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Area D
法國藝術家Camille Blatrix 「限量藏品」 躲貓貓碳纖維圈椅
Artist Camille Blatrix collaboration - Hide and Seek Carbon Fiber Round - Back Chairr
NTD 360,000
<Limited Edition-10 pcs>
法國知名青年裝置藝術家 Camille Blatrix為「SHANG XIA 上下碳纖維椅」提供了幽默的解讀，以明亮的色彩搭配細木鑲嵌工藝，將座椅打造為雙手抱頭、開懷大笑的卡通形象；或宛如蜷臥椅下的睡獅，勾勒出“叢林之王”的憨態可掬，如同一場奇妙的捉迷藏遊戲。
透過這位極具前瞻性的當代藝術家再添全新視角，詮釋經典與潮流的碰撞交融。
Camille Blatrix provides a humorous interpretation for the "SHANG XIA carbon fiber chair," using bright colors and intricate wood inlay craftsmanship to turn the seats into cartoon-like figures, with some appearing as if they are embracing their heads with both hands and bursting into laughter, while others resemble sleeping lions under the chairs, depicting a playful "King of the Jungle" character, like a delightful game of hide and seek.
Through this forward-thinking contemporary artist, a brand new perspective is added, interpreting the collision and fusion of classics and trends.
藝術家丁乙「限量藏品」碳纖維桌 - 白黑款
Artist Ding Yi collaboration - Carbon Fiber Furniture
NTD 2,400,000
<Limited Edition-3 pcs>
知名藝術家丁乙透過擁有多元化的藝術背景，並在他的作品中完美呈現：高度機械化、重複性與精確性並存，又不失對於形式化的實驗性與創新性。自80年代後期開始以“十字”創作一系列作品，重複的“+”或“x”的符號，都有著耐人尋味的解讀。SHANG XIA上下 “大天地系列”合作聯名款碳纖維傢俱，由丁乙代表畫作《十示》系列再現於此次展品中，以傳統漆藝的“剔犀”工藝為靈感，在碳纖維表面還原藝術家理性中蘊含情感的筆觸痕跡，帶來卓越的質感和強烈的視覺張力。
Artist Ding Yi, with his diverse artistic background, perfectly embodies in his works a combination of high mechanization, repetitiveness, and precision, while also maintaining formal experimentalism and innovation. Since the late 1980s, he has been creating a series of works using the "cross" motif, with intriguing interpretations of repeated "+" or "x" symbols. In collaboration with SHANG XIA, the "DaTienDi Series," a joint venture featuring carbon fiber furniture, reproduces Ding Yi's artwork series " Appearance of Crosses" where the enigmatic patterns of repeated symbols are explored. Drawing inspiration from traditional lacquer art's "carving and polishing" technique, the carbon fiber surface faithfully captures the emotional brushstrokes concealed within the artist's rationality, resulting in outstanding texture and powerful visual tension..
丁乙大師
在學生時代的丁乙便喜歡抽象藝術，1988年他創作的《十示2007-10》中，便創造了一種獨特的視覺語言，與當時中國繪畫的典型傳統模式背道而馳。他以十字架爲正式參照物，有時無意義，有時與否定相關。同時，産生了設計原理與繪畫原理相結合的想法—「理性抽象」。
During his student years, Ding Yi was fond of abstract art. In 1988, in his creation "Appearance of Crosses 2007-10," he pioneered a unique visual language that diverged from the typical traditional styles of Chinese painting at that time. He used the cross as a formal reference point, sometimes devoid of meaning and at times associated with negation. Simultaneously, this led to the conception of combining design principles with painting principles, known as "Rational Abstraction."
藝術家朱德群「限量藏品」攬月系列
Artist Chu Teh-Chun collaboration - Lan Yue series
NTD 1,494,000 / set
<Limited Edition-10 pcs>
SHANG XIA上下透過與朱德群老師共同創作，將抽象山水意境之美運用於攬月包及絲巾配件系列中，將此藝術之美融於生活之中。以層層叠加的絲線，結合精湛的手工蘇綉技藝，完美再現水墨的細膩退暈效果，並將藝術家朱德群作品中的透明特質與深遠的空間意境完美詮釋。
而包袋背面則採用進口頭層牛皮，皮質與真絲材質分別賦予限量版「攬月」系列包款兩種獨特觸感，表現當代美學設計與磅礴寫意的藝術創想。
Collaborating with SHANG XIA, Chu 's abstract landscape inspiration is integrated into the LanYue Bag and silk scarf accessories collection. This artistic beauty is thus woven into everyday life. Using layers of overlaid silk threads and exquisite hand-embroidery techniques, they perfectly reproduce the delicate ink wash effect and interpret the transparent qualities and profound spatial ambiance from artist Chu 's works.
The back of the bags is made from imported top-grain leather, providing two unique textures for the limited-edition "Lan Yue" series handbags, showcasing contemporary aesthetic design and majestic artistic imagination.
朱德群大師
朱德群是一位將東方抽象和中國傳統藝術融合於一身的藝術家。他的作品結合了抽象表現主義與書法運行的筆觸，同時又展現了抽象山水的意境。繪畫有著簡化的造形元素、流暢的線條與豐富的色彩變化，創造強而有力的視覺效果與無比的張力。
他擺脫有形物象的束縛，開始探索內在的潛能，從中國老莊哲學和寫意繪畫傳統中走向自己的抽象，特別的是他的繪畫風格有著貫通中西的藝術表現與精神理解，具有抽象主義的承傳，卻走出更高的自由表現和內蘊的拓展。
Chu Teh-Chun was an artist who seamlessly merged Eastern abstract art and traditional Chinese art. His works combined the brushstrokes of abstract expressionism with the fluidity of calligraphy, while also embodying the ambiance of abstract landscapes. His paintings featured simplified forms, smooth lines, and rich color variations, creating a powerful visual impact and unparalleled tension.
He freed himself from the constraints of tangible representations and began to explore his inner potential. Drawing inspiration from traditional Chinese Daoist philosophy and freehand painting, he embarked on his own journey into abstraction. What sets his art apart is his ability to seamlessly blend Eastern and Western artistic expressions and spiritual understanding. While rooted in the tradition of abstract art, his style transcends boundaries, embracing a higher level of artistic freedom and profound depth of meaning.
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