藏。
Area D
藝術家丁乙「限量藏品」碳纖維桌 - 白黑款
Artist Ding Yi collaboration - Carbon Fiber Furniture
NTD 2,400,000
<Limited Edition-3 pcs>
知名藝術家丁乙透過擁有多元化的藝術背景，並在他的作品中完美呈現：高度機械化、重複性與精確性並存，又不失對於形式化的實驗性與創新性。自80年代後期開始以“十字”創作一系列作品，重複的“+”或“x”的符號，都有著耐人尋味的解讀。SHANG XIA上下 “大天地系列”合作聯名款碳纖維傢俱，由丁乙代表畫作《十示》系列再現於此次展品中，以傳統漆藝的“剔犀”工藝為靈感，在碳纖維表面還原藝術家理性中蘊含情感的筆觸痕跡，帶來卓越的質感和強烈的視覺張力。
Artist Ding Yi, with his diverse artistic background, perfectly embodies in his works a combination of high mechanization, repetitiveness, and precision, while also maintaining formal experimentalism and innovation. Since the late 1980s, he has been creating a series of works using the "cross" motif, with intriguing interpretations of repeated "+" or "x" symbols. In collaboration with SHANG XIA, the "DaTienDi Series," a joint venture featuring carbon fiber furniture, reproduces Ding Yi's artwork series " Appearance of Crosses" where the enigmatic patterns of repeated symbols are explored. Drawing inspiration from traditional lacquer art's "carving and polishing" technique, the carbon fiber surface faithfully captures the emotional brushstrokes concealed within the artist's rationality, resulting in outstanding texture and powerful visual tension..
丁乙大師
在學生時代的丁乙便喜歡抽象藝術，1988年他創作的《十示2007-10》中，便創造了一種獨特的視覺語言，與當時中國繪畫的典型傳統模式背道而馳。他以十字架爲正式參照物，有時無意義，有時與否定相關。同時，産生了設計原理與繪畫原理相結合的想法—「理性抽象」。
During his student years, Ding Yi was fond of abstract art. In 1988, in his creation "Appearance of Crosses 2007-10," he pioneered a unique visual language that diverged from the typical traditional styles of Chinese painting at that time. He used the cross as a formal reference point, sometimes devoid of meaning and at times associated with negation. Simultaneously, this led to the conception of combining design principles with painting principles, known as "Rational Abstraction."
<專人服務 點擊下方>